Editing was my first love, and I still think like an editor when I direct and shoot. I find it supremely satisfying to find the perfect music track to complement a sequence, juxtapose shots unexpectedly, or use a wobbly re-po most would reject to add some badly needed kinetic energy and wake up the viewer.

Most of my clients look to me for high-pressure, fast turnaround projects – and my edit suite is where each job’s critical path gets a turbo boost.