Huge thanks to all those involved:

Benjamin Evans – Producer, 1st AC
Jaymis Loveday – Motion control operator, compositor
Joel McIlroy – Skater
Rowland Cowper – Soundtrack
Matt Redlich – Sountrack editing
IVMotion – Compositing
Dan Graetz - Director/DP, editor, colorist

http://www.encoremagazine.com.au/totally-epic-the-red-volution-continues-10528

 The last four years have seen a massive shift in the way we capture the moving image. With revolutionary cameras such as the Epic and Arri’s Alexa offering terrific options for capturing filmic imagery without prohibitive stock and processing costs. It’s also exciting to see the places a compact unit like RED’s Epic might appear in future productions. We’ve already found angles and mounting options we never thought would be possible – and we’ve only just begun.

On Friday we joined with Hunz and director Jonas McQuiggan to put together a collaborative audiovisual piece as the finale performance of Ten10 Brisbane.

8 GoPro cameras were attached to Hunz head, wrist, microphone & keyboard,  Phil’s bass and Ritchie’s drumkit, then all fused together via Jaymis’ Vixid video mixer and beamed out across 3 separate projection screens.

Jonas brought in three fantastic Kinoflo Single fixtures, which look like naked fluorescent bulbs while giving flicker-free light. Without any house illumination, they gave the band a beautifully cyberpunk look.

The performance was an intense 20 minutes, with Dan running video effects and feedback via Kaoss Pad Entrancer, Jonas calling shots and troubleshooting camera connections, and Jaymis mixing everything together.

We were one of the lucky early adopters to be approved for delivery of a hand-made Epic-M featuring a titanium lens mount.  Needless to say we’ll be putting it rigorously through it’s paces in the coming days – and before long adding it to the rental inventory.  Stay tuned….